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Tweaked now with the transpositions regarding male to female

Tweaked now with the transpositions regarding male to female

Writing from the viceroy of Sardinia who also, at the opening of his essay upon “The Cinema and this Plague, ” “had a good particularly afflicting dream, ” Artaud asks: “But is it too late to avoid this scourge? Even wrecked, actually annihilated, even pulverized in addition to consumed to his or her exact marrow, he knows that we do not die within our dreams, our will operates even in absurdity, even in the negation regarding possibility, even throughout the transmutation of untruths from which reality can easily be remade” (15). If the viceroy “wakes up” with this recognition, as if among your pet and plague there was “a palpable communication” (17)—confirming Artaud in “the belief regarding symbols and even archetypes which in turn act like silent blows, rests, leaps of the heart, summons of the lymph, inflamed photographs thrust into all of our easily wakened heads, ” identifying the powers “we are as symbols” (27)—the trouble with symbolist theatre (as with expressionism later) is that the thrilling promise of a transfigured actuality, to be able to which we come through the particular dreaming, leaves us all along with the everlasting irony of something to be needed, certainly not unlike the phantasm connected with digital reality around a cyberspatial world. We seem to be stated something different, outside, above, outdoing to all visual appeal the particular process of representation, but since there's an appealing vertigo in the hallucinatory instant, it insists in s